Title : Penjaga Memori - Gardu
di Perkotaan Jawa
(Guardian of
Memories: Gardu
in Urban Java)
Author :
Abidin Kusno
Publisher :
Ombak
Year of Publication :
2007
Page :
154 pages
Length :
20 cm
Summary:
Abidin Kusno is an
Associate Professor and Canada Research Chair in Asian Urbanism and Culture at
University of British Columbia in Vancouver,
Canada. His knowledge as an architect, artist, as well as cultural study master
has created this interesting book. Guardian of Memories: Gardu in Urban Java is
a non-fictional book, a typical of ‘travel & explore’ writing from one
gardu to another one combined with memoir of the author, that tries to reveal
deeply the politics purposes and the means of gardu itself throughout the
history of Indonesia.
The purpose of the
book is how to present the purposes of gardu genealogically, from present time,
reformation era after the fall of President Suharto’s regime in 1998, going
back to the past, colonial and postcolonial eras. Besides, the author provides how gardu is still being a visual medium consisting of
collective memory formed and transformed through distinctive historical order.
The author begins the book by explaining how communication post memory of
Megawati relates to Sukarno’s platform in a way that the readers could be
reminded and understand in their cultural, social, and most importantly, political
consciousness. Overally, the book is the story of his knowledge finding the
connections between gardu with its built environment and political context. The
writing itself is laid out simply and concisely.
Social/Historical
context:
The book is a good introduction
to the importance of gardu which people often tend to ignore and underestimate
its existence. It is a book on a description of the author's writing in
presenting and outlining the stories about gardu which is so outstanding that
eventually the readers, hopefully, will think the diversity, immensity and
limitation of Indonesian histories. The author also describes how people see
and share memory of gardu differently, according to their particular grade, are
influenced by their history experience across the ages. Focusing primarily on urban
areas in Java, he describes how perceptions of the past, anxieties about the
rapid pace of change in the present, and hopes for the future have been
embodied in architecture and urban space, called gardu, at different historical
moments.
Drawing from the
book’s visual environments, it reveals how the visual environments of gardu are
well connected with the anxieties over the sense of change at different
historical moments in few cities of Java. The author clearly demonstrates the
interplay between gardu and the changing realm of the visual environment in the
city. It goes without saying that gardu, as we find it nowadays, serve as
either a gatehouse in a gated community or civil defence units (hansip) post.
Moving farther back
in time, he examines how Japanese military force reinvented colonial
architectural styles of gardu to assist them in an effort of winning World War
II by creating keibodan (local
security organization) for the purpose of making the stable political culture
of the state, meanwhile the Dutch utilize gardu for carrying mail and supply
from one place to another.
Writing
Style:
Guardian of
Memories: Gardu in Urban Java is written through the eyes of the author as a
narrative of his revelation of the material contained within the book. He also
includes first person and second person short stories of individual experiences
and encounters (e.g. Hikayat Siti Mariah
and Indonesia dalem Api dan Bara),
solidifying the writing he reveals. He writes simply and concisely with a
thread of struggle, hope, and friendship concerning gardu running through from
beginning to end.
The Appearance of Guardian
of Memories: Gardu in Urban Java offers new perspectives and interesting
analysis of political cultures and the experience of gardu in Indonesia,
providing the readers with a better understanding of the complexity of gardu
histories and problems in the country. Author’s main thesis point is that there
have been connections between the gardu and political consciousness in
Indonesian cities, particularly in Java, during the colonial and national
periods. The book is describing gardu and its guardian organized into five
thematic periods: Megawati’s era after the end of New Order regime, Indonesian
traditional environment, revolutionary struggle for independence period, during
Dutch colonial and in the early twentieth century.
My
Thoughts:
The language is
very simple, precise and honest. It is meant to be refreshing and inspiring. It
does have occasional grammatical errors and few typos, but the meaning is still
clear and obvious. It has some 31 relevant pictures of gardu and the guardians.
The book’s middle, lacking a bit definitive chronology, is filled with numerous
incidents, dialogues, and certainly a small number of stories taken from Indonesia dalem Api dan Bara. It mostly
tells the readers about the experience of Kwee Thiam Tjing as town watch and
guardian volunteer during the revolution era in Semarang, Indonesia.
This book offers an
in-depth analysis of gardus during the colonial and postcolonial eras, but does
not provide further discussion of Indonesian gardus in other parts of the
country which are also an important component of Indonesian cities. So, this last
regret is the cases in this book which were only drawn primarily in few cities
of Java (despite the title of the book showing clearly “Gardu in Urban Java”).
Indonesia is a large country with over 17,000 islands and 300 distinctive
ethnic groups, and it should not be represented by only a few cities in the
capital island out of five chapters in the book have appeared elsewhere. A
further analysis of gardu throughout Indonesia cities in both colonial and
national periods would be an excellent additional section to this book.
In conclusion, the book
is a pleasure to read, stimulating and well conceived. A variety of figures in the
book also provides supplement for the narrative. The author offers an
intriguing analysis of gardu issues in Indonesia from the combined disciplines
of architecture, history and politics. Such analysis is unique and will
contribute significantly to the literature of urban studies and architecture, not only
in the Indonesian context but also on a broader level.
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